In Living Color:Triplets of Light

 

Photo by Jessie Eastland 2012

Vibrant color has always brightened my spirits, released my darkest fears, and shed light on the gloomiest shadows of my soul. I still remember a kindergarten field trip to a meadow blooming with violets, where I immersed myself in the sea of deepest purple hues, floating on a bed of green leaves, shimmering with pale silvery gold at the center of each blossom.

Oh, and the joy when I got my first box of 64 different colored crayons! I immediately drew a picture of diagonal lines and squiggles, each tone blending to the next to form a rainbow of brilliant colors. How exciting when our home got its first color television, and we sat staring in awe at the NBC peacock! From early childhood I have been blessed that the dreams I remember are in living color.

And when I had psychological testing to determine whether I could enter school a year early, I later learned that my responses to the black and white ink blots were highly advanced in their complexity and organization. But when confronted with the ethereal pastels on the colored blots, all I could utter was squeals of delight, or deep sighs of contentment, or at best, “Ooh, pretty!”

In Scripture, the earliest mention of color is in three verses (Genesis 37:3,23,32) describing Joseph’s coat of many colors, symbolizing the extravagance, range and richness of his father’s love, just as Our Father lavishly showers us with blessings! (Ezekiel 34:26)

The next mention of “colours” in Scripture, the word is repeated three times, ironically describing the richness of the spoil Sisera’s mother imagines he will bring home, not yet realizing he is dead (Judges 5:30). King David provided precious stones of many colors to decorate God’s house (1 Chronicles 29:2), and God promised Israel a building of gemstones with fair colors, specifically sapphires, agates, and carbuncles ((Isaiah 54:11-12).

God gave us richly all things to enjoy (1 Timothy 6:17), the full spectrum of visible color being but one of them. His visible creation speaks to the artistry. power, and majesty of the Creator, for it reflects His invisible attributes, eternal might and Godhead (Romans 1:20). He is the Master Painter Who designed the unfathomable beauty of each sunset, and the varied palette He used for every plant, creature and landscape (Genesis 1). Not only that, but He also gave us two eyes and one nervous system to be able to appreciate His handiwork in three dimensions.

One of the earliest questions children ask is “Why is the sky blue?” I believe our early fascination with color reflects our God-given desire to know our Creator (Acts 17:27), Who is the source of color as well as of all the beauty and complexity we see in the natural realm. We therefore have no excuse for not realizing there is an Intelligent Designer (Romans 1:20; Psalm 8; 19:5), and for not reaching out to the One Who designed us in His image as the masterpiece crowning His creation.

God Himself is light, and in Him is no darkness at all (1 John 1:5). Light encompasses a spectrum visible to the human eye, as well as higher and lower frequencies of energy, or electromagnetic radiation. God has allowed us to see His creation and from that to infer His creativity. As technology has advanced, we can now even “see” the invisible spectrum using special cameras and recording devices.

Because of His all-consuming glory, no man can see God’s face and live (Exodus 33:20), just as no human can stare into the sun without going blind. To our eye, sunlight appears white, but if we split a sunbeam using a prism, we can see all the colors comprising “white” light. While we are on earth, we can and should use the prism of God’s Word to learn more about His attributes, promises, and accomplishments as the One True Light (John 1:9; 3:19; etc.).

The prism shows us that there are three primary colors on which all other hues are based. Red may symbolize the shed blood of Jesus Christ (Ephesians 2:13; Hebrews 9:14; etc.); blue His living water (John 4:10-14.); and yellow or gold His life-sustaining Gospel light (John 9:5; !2:46; 2 Corinthians 4:4);.

The three secondary colors of purple (red and blue), green (blue and yellow), and orange (yellow and red) may also portray different aspects of Christ. Royal purple symbolizes His role as King of Kings (Revelation 17:14;19:16). He is also the Saviour giving eternal life (John 3:16,36) foreshadowed by evergreen trees on earth. He is the Judge Who rained fire on Sodom and Gomorrah (Genesis 19:24; Jude 1:7), Who sends those who reject Him to hellfire (Mark 9:43-45), and Who will one day cleanse the earth with fire (2 Peter 3:10-12).

God Himself shows us this full spectrum of colors in the rainbow, using droplets of water to refract sunlight into its component frequencies, which appear to us as three predominant stripes. How amazing that He used this sign to show His mercy, love and grace, by memorializing His promise to Noah never again to destroy the earth by flood (Genesis 9:11-17).

Unlike the disciples and followers of Jesus who knew Him during His earthly ministry, we cannot look into His compassionate eyes (Matthew 9:36;14:14; 15:32), see the Spirit of God descending on Him like a dove (Matthew 3:16; Mark 1:10), or watch His radiant ascension into Heaven (Acts 1:8-9). But His Spirit indwells each born-again believer who has trusted in His death, burial and resurrection (1 Corinthians 15:1-4) as the only Way to Heaven (John 14:6). That Spirit teaches us about Christ, Who in turn reveals to us the glory of the Father (John 14:9,16-31; 1 John 2:23-24).

We cannot yet see Him in all His glory, but only as “through a glass, darkly.” Glass in the days that Paul wrote this verse (1 Corinthians 13:12) was made of sand, with many impurities, ripples, and variations in thickness, so that looking through a window pane was more like looking through frosted glass of today. We can perceive shapes, shadows, and movement, but not detail, color, or pattern.

I believe it is the impurities in our sin nature that cloud our perception of Christ. Thanks to Adam (Romans 5:12), we are marred by the lust of the eyes, the lust of the flesh, and the pride of life (1 John 2:16) and we have captured too many images craved by our flesh, sought after in the world, and presented by the devil to tempt us. As the saying goes, it takes one to know one, and as long as we are hindered by our sin nature, we will not be able to see the full splendor of His radiance.

Human language and experience therefore lack the power to describe what John and Paul saw when given a glimpse of Heaven (1 Corinthians 2:9; 2 Corinthians 12:2) and the Lamb of God on His throne. John describes the enthroned Christ as three gemstones: jasper, sardine stone, and emerald, which generally have predominant hues of red, yellow and green, surrounded by a rainbow (Revelation 4:3). He also portrays the “mighty angel” of Revelation 10 as having a rainbow upon his head (v. 1).

Oh, but the unspeakable joy we shall experience when we see Jesus face to face! Then we shall see and know Him as completely as He now knows us (1 Corinthians 13:12). May the day soon come when faith shall become sight (2 Corinthians 5:7) and we shall see, know and experience Him in living color!

© 2015 Laurie Collett

Reposted from the archives

Without Form, and Void

Photo by Going Down 2014

When Charles Darwin’s theory of evolution became widely accepted after publication of his book in 1859, despite the lack of supporting evidence according to Darwin himself, it caused a panic in some Christian circles. Surely adhering to the Biblical, six-day account of God’s creation of everything from nothing would make the church look ridiculous in the world’s eyes, especially among scholars. 

But trying to adapt God’s Word to changing times was then, and will always be, a grave error. Jesus Christ, Who died for the sins of the world (John 1:29) and rose again to prove His divinity (1 Corinthians 15:1-4), so that all who trust Him as Lord and Savior would have eternal life (John 3:16), is unchanging. He is the Word (John 1:1), and He is the same, yesterday, today, and forever (Hebrews 13:8).

The heaven and earth will one day pass away, but God’s Word will never pass away, for it is unchanging and everlasting (Matthew 24:35). No wonder Scripture warns of a terrible penalty for anyone who adds to, changes, or takes away from the words of this Book (Revelation 22:18-19), yet that is exactly what all the new translations and revisions have done. 

After evolution had become the catchword of the day, Cyrus I. Scofield wrote notes in his 1909 study Bible that he perhaps thought would help reconcile Darwinian and Biblical accounts of how the world came to be. His thoughts, often referred to as the gap theory, interposed a long, event-filled period of time between Genesis 1:1 and Genesis 1:2: 

1 In the beginning God created the heaven and the earth. 

2 And the earth was without form, and void; and darkness was upon the face of the deep. And the Spirit of God moved upon the face of the waters. 

The rest of Genesis 1 describes an overview of what God created, by the words of His mouth, on each of the six literal days of creation. Scofield proposed that God had at one time created the heaven and the earth (Genesis 1:1), but that something terrible happened between verses 1 and 2, presumably Lucifer falling from heaven (Isaiah 14:9-14) and destroying the earth as Satan, so that the perfect universe God had made was now shapeless, empty, and dark.

Would God allow Satan such complete power to annihilate His beloved creation? When He did destroy the earth by flood to judge mankind for his wickedness, it was by His own hand (Genesis 6:13), after preservation of a faithful remnant (Noah and his family) and representatives of His animal creation (Genesis 7:7-9). God Himself formed the earth and made it not in vain, but to be inhabited (Isaiah 45:18). 

This undefined, presumably long, time period Scofield implied between Genesis 1:1 and Genesis 1:2 could theoretically allow time for the processes of evolution to occur, thus not offending the Darwinian “scientists” while still tipping the hat to God overseeing the whole process.

But God is not the author of confusion, but of peace (1 Corinthians 14:33). Why would He spell out in specific detail what happened on each of the days of creation, emphasizing that each of these was a literal, 24-hour day (each framed by an evening and morning, as is the Hebrew tradition), and then leave out so many vital details between the very first and second verse of the Bible? (Genesis 1:5,8,13,19,23,31) 

Is it not more reasonable to assume that Genesis 1:1 is a summary statement, known in English composition as a topic sentence, giving us an overview of what the rest of the chapter will describe, namely how God created everything from nothing? And that Genesis 1:2 describes the very first step of the process, namely that God first created the space to which He would add all good things comprising His creation? 

Critics of this theory say that God would have simply created a finished product, rather than going through an amorphous phase. But Genesis 2:7 gives us further insight into God’s creative process. He did not speak Adam, the first man, into being as a finished product. Instead, He formed Adam from the dust of the ground – an amorphous, empty, drab material, much like the earth when it was shapeless, empty and dark.  

Just as the power of the Spirit moved across the waters to transform the earth (Genesis 1:2), God breathed the Spirit into Adam’s nostrils to make him a living soul (Genesis 2:7). God made man in His (plural) own triune image, reflecting the Father, Son and Holy Spirit in man’s soul, body, and spirit (Genesis 1:26-27). 

So perhaps we can draw some inferences about God’s creative processes from those of artistic geniuses in the human realm. An artist such as Leonardo da Vinci begins with a blank canvas, then fills the space with line, shape and color to transform it into a glorious painting. A sculptor such as Michelangelo begins with a seemingly shapeless, rough, drab mass of marble, then frees from within it a polished, dramatic, evocative sculpture reflecting light and emotion.

The producer of a play begins with an empty, dark stage and populates it with sets, lighting, props and actors who tell a meaningful, gripping story where once there was nothing. A major difference between the creative process of these human artists and the ultimate creative genius of God Himself is that He alone supplied even the raw materials – the blank canvas or stage – which He filled with all things that are good (John 1:3).

We see many examples of this in nature, such as the caterpillar that completely dissolves within the chrysalis to an amorphous soup to emerge as a butterfly, an entirely new creature. In the spiritual realm, God can take the shapeless, drab fragments of clay that represent the life of a sinner, and add meaningful form, utility and light, representing a sinner saved by grace to become a new vessel suitable for His use (Isaiah 29:16; 64:8; Jeremiah 18:4; Romans 9:21).

Only God could transform the darkness, chaos and abject failure that seemed to permeate the death of Jesus on Calvary’s cross into eternal light, hope and victory over sin, hell and death as Christ rose again! (Matthew 27:45-53; 28:5-10).

Praise God that He alone can make something from nothing, and beauty from ashes! (Isaiah 61:3) Praise God that He does not stop there, but adds light, purpose, and design to accomplish His purpose through His creation and through each one of us who trusts Him!

© 2017 Laurie Collett 

Reposted from the archives

 

Without Form, and Void

Photo by Going Down 2014

When Charles Darwin’s theory of evolution became widely accepted after publication of his book in 1859, despite the lack of supporting evidence according to Darwin himself, it caused a panic in some Christian circles. Surely adhering to the Biblical, six-day account of God’s creation of everything from nothing would make the church look ridiculous in the world’s eyes, especially among scholars.

But trying to adapt God’s Word to changing times was then, and will always be, a grave error. Jesus Christ, Who died for the sins of the world (John 1:29) and rose again to prove His divinity (1 Corinthians 15:1-4), so that all who trust Him as Lord and Savior would have eternal life (John 3:16), is unchanging. He is the Word (John 1:1), and He is the same, yesterday, today, and forever (Hebrews 13:8).

The heaven and earth will one day pass away, but God’s Word will never pass away, for it is unchanging and everlasting (Matthew 24:35). No wonder Scripture warns of a terrible penalty for anyone who adds to, changes, or takes away from the words of this Book (Revelation 22:18-19), yet that is exactly what all the new translations and revisions have done.

After evolution had become the catchword of the day, Cyrus I. Scofield wrote notes in his 1909 study Bible that he perhaps thought would help reconcile Darwinian and Biblical accounts of how the world came to be. His thoughts, often referred to as the gap theory, interposed a long, event-filled period of time between Genesis 1:1 and Genesis 1:2:

1 In the beginning God created the heaven and the earth.

2 And the earth was without form, and void; and darkness was upon the face of the deep. And the Spirit of God moved upon the face of the waters.

The rest of Genesis 1 describes an overview of what God created, by the words of His mouth, on each of the six literal days of creation. Scofield proposed that God had at one time created the heaven and the earth (Genesis 1:1), but that something terrible happened between verses 1 and 2, presumably Lucifer falling from heaven (Isaiah 14:9-14) and destroying the earth as Satan, so that the perfect universe God had made was now shapeless, empty, and dark.

Would God allow Satan such complete power to annihilate His beloved creation? When He did destroy the earth by flood to judge mankind for his wickedness, it was by His own hand (Genesis 6:13), after preservation of a faithful remnant (Noah and his family) and representatives of His animal creation (Genesis 7:7-9). God Himself formed the earth and made it not in vain, but to be inhabited (Isaiah 45:18).

This undefined, presumably long, time period Scofield implied between Genesis 1:1 and Genesis 1:2 could theoretically allow time for the processes of evolution to occur, thus not offending the Darwinian “scientists” while still tipping the hat to God overseeing the whole process.

But God is not the author of confusion, but of peace (1 Corinthians 14:33). Why would He spell out in specific detail what happened on each of the days of creation, emphasizing that each of these was a literal, 24-hour day (each framed by an evening and morning, as is the Hebrew tradition), and then leave out so many vital details between the very first and second verse of the Bible? (Genesis 1:5,8,13,19,23,31)

Is it not more reasonable to assume that Genesis 1:1 is a summary statement, known in English composition as a topic sentence, giving us an overview of what the rest of the chapter will describe, namely how God created everything from nothing? And that Genesis 1:2 describes the very first step of the process, namely that God first created the space to which He would add all good things comprising His creation?

Critics of this theory say that God would have simply created a finished product, rather than going through an amorphous phase. But Genesis 2:7 gives us further insight into God’s creative process. He did not speak Adam, the first man, into being as a finished product. Instead, He formed Adam from the dust of the ground – an amorphous, empty, drab material, much like the earth when it was shapeless, empty and dark.

Just as the power of the Spirit moved across the waters to transform the earth (Genesis 1:2), God breathed the Spirit into Adam’s nostrils to make him a living soul (Genesis 2:7). God made man in His (plural) own triune image, reflecting the Father, Son and Holy Spirit in man’s soul, body, and spirit (Genesis 1:26-27).

So perhaps we can draw some inferences about God’s creative processes from those of artistic geniuses in the human realm. An artist such as Leonardo da Vinci begins with a blank canvas, then fills the space with line, shape and color to transform it into a glorious painting. A sculptor such as Michelangelo begins with a seemingly shapeless, rough, drab mass of marble, then frees from within it a polished, dramatic, evocative sculpture reflecting light and emotion.

The producer of a play begins with an empty, dark stage and populates it with sets, lighting, props and actors who tell a meaningful, gripping story where once there was nothing. A major difference between the creative process of these human artists and the ultimate creative genius of God Himself is that He alone supplied even the raw materials – the blank canvas or stage – which He filled with all things that are good (John 1:3).

We see many examples of this in nature, such as the caterpillar that completely dissolves within the chrysalis to an amorphous soup to emerge as a butterfly, an entirely new creature. In the spiritual realm, God can take the shapeless, drab fragments of clay that represent the life of a sinner, and add meaningful form, utility and light, representing a sinner saved by grace to become a new vessel suitable for His use (Isaiah 29:16; 64:8; Jeremiah 18:4; Romans 9:21).

Only God could transform the darkness, chaos and abject failure that seemed to permeate the death of Jesus on Calvary’s cross into eternal light, hope and victory over sin, hell and death as Christ rose again! (Matthew 27:45-53; 28:5-10).

Praise God that He alone can make something from nothing, and beauty from ashes! (Isaiah 61:3) Praise God that He does not stop there, but adds light, purpose, and design to accomplish His purpose through His creation and through each one of us who trusts Him! 

© 2017 Laurie Collett